131: Otava, 1986. 1st Edition. Hardcover. Timo Tapani Sarpaneva (1926-2006) was an influential Finnish designer, sculptor, and educator best known in the art world for innovative work in glass, which often merged attributes of display art objects with utilitarian designations. While glass remained his most commonly addressed medium, he worked.....
21: Arabia Museo, 1987. 1st Edition. Soft cover. A fine copy with no markings. A accompanying booklet for an exhibition of the same name, which was the first push towards the artist's wideknown recognition. Kristina Riska's ceramics work presented with stories by Kaj Kalin and photos by Kari Holopainen. Text.....
82: Taideteollisuusmuseo, 1986. 1st Edition. Soft Cover. Text in Engish, German and Finnish. 107 pp.
66: Kaupungin taidemuseo, 1992. 1st Edition. Soft Cover. Text in English and Finnish. 199 pp. Many of us remember well the spectacular rise of Finnish industrial art to world-wide recognition and fame in the 1950s. Finland's young designers took their place among the elite of their profession, and.....
109: Kaupungin taidemuseo, 1992. 1st Edition. Soft Cover. Text in English and Finnish. 199 pp. Artists signature and inscription and to artist Eila Hiltunen. Minor stain on the spine; slight rubbing to covers. Many of us remember well the spectacular rise of Finnish industrial art to world-wide recognition and.....
84: Otava, 1986. 1st Edition. Hardcover. Timo Tapani Sarpaneva (1926-2006) was an influential Finnish designer, sculptor, and educator best known in the art world for innovative work in glass, which often merged attributes of display art objects with utilitarian designations. While glass remained his most commonly addressed medium, he worked.....
111: Dortmund Cramers, 1985. 2nd Edition. Softcover. Text in German. 85 pp. Slight signs of wear on the cover.
82: Otava, 1986. 1st Edition. Hardcover. Timo Tapani Sarpaneva (1926-2006) was an influential Finnish designer, sculptor, and educator best known in the art world for innovative work in glass, which often merged attributes of display art objects with utilitarian designations. While glass remained his most commonly addressed medium, he worked.....